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Bizen Sake Bottle & sake Cup
878 Items
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Seishi Mori - Guinomi
8,800 YENSold out
size : W5.9cm×5.6cm×H6.6cmHe was born into a family with a long tradition of Bizen ware.
Under normal circumstances, he would have played a central role in the Bizen Pottery industry.
However, at the root of his work was his anger toward society at large.
He was good at putting destructive emotions into his works and creating works that were even grotesque.
He named his kiln "Shakuyo" and was particularly particular about the occurrence of red clay color.
The kanji for "Shakuyou" means "the sun that burns everything.
Yuho Kaneshige - Imbe Shiro Guinomi
49,500 YENSold out
size : W6.0cm×5.7cm×H6.0cmHe has been creating unique pieces in primitive kilns in recent years.
He has also produced a work titled "Shiro.
However, this "Shiro" was not fired in a primitive kiln, but in an electric kiln.
It was fired at a high temperature and has slight Hidasuki adhering to it.
It is very hard, but the surface is smooth and almost worn.
The design is also interesting as it has repeatedly shrunk and expanded on the potter's wheel.
One feels that the work is not made of a single piece of board, but is put together like a three-dimensional puzzle.
Yuho Kaneshige - Imbe Shiro Guinomi
49,500 YENSold out
size : W6.7cm×6.6cm×H5.7cmHe has been creating unique pieces in primitive kilns in recent years.
He has also produced a work titled "Shiro.
However, this "Shiro" was not fired in a primitive kiln, but in an electric kiln.
It was fired at a high temperature and has slight Hidasuki adhering to it.
It is very hard, but the surface is smooth and almost worn.
The design is also interesting as it has repeatedly shrunk and expanded on the potter's wheel.
One feels that the work is not made of a single piece of board, but is put together like a three-dimensional puzzle.
Hiroshi Goseki - Black glaze Guinomi
11,000 YENSold out
size : W7.1cm×7.0cm×H6.3cmHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
He built an anagama kiln in Ibaraki Prefecture.
This Guinomi was made by him using a mixture of Bizen clay and clay from the Hiyama region where his kiln is located.
The mixed clay was then coated with a black glaze and fired in his kiln.
The yellow colour of the natural glaze overlaid on the black glaze gave it a mysterious colour.
This Guinomi was fired in December 2022.
Yoshiteru Takariki - Bizen Hikidashi Kuro Guinomi
16,500 YENSold out
size : W7.0cm×6.9cm×H6.3cmHe inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Guinomi was fired in October 2023.
He removed this piece from the kiln during firing and quenched it rapidly.
The piece was placed near a wood insert and bathed in a large amount of natural glaze.
The natural glaze was transformed into amber-colored glass by rapid cooling.
Tomoyuki Oiwa - Bizen Yohen Guinomi
17,600 YENSold out
size : W6.3cm×6.3cm×H7.0cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in November 2023.
The flame of Anagama kiln blows into the back of kiln at a stretch.
This is Guinomi of "Yohen" that can be fired only in a specific place in Anagama kiln.
This Guinomi has an excellent fire pattern due to its very high heat value.
Rokuro Nakamura - Bizen Guinomi
154,000 YENSold out
size : W7.6cm×7.5cm×H5.4cmThis is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The Nakamura clan's unique body design makes it very easy to hold.
I presume that this Guinomi was fired when he was about 80 years old.
I have the impression that this Guinomi is baking harder than he usually does.
It has a dark red color with a firm fire, not his usual red clay color.
Shuroku Harada - Bizen Tokkuri
176,000 YENSold out
size : W7.6cm×7.6cm×H12.8cm 200㏄Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
Looking at the condition of the wooden box , I presume that it was made around 2004.
Good quality clay has changed to three colors.
He made the tubes of clay and stacked them.
You can almost hear his raucous breathing through the violent unevenness of Tokkuri's torso.
Tadashi Yoshimoto - Bizen Shuhai
9,900 YENSold out
size : W7.5cm×7.3cm×H6.7cmTadashi Yoshimoto is a disciple of Kei Fujiwara.
He respected Kei Fujiwara and inherited the technique of Bizen ware.
He makes simple and easy-to-understand Bizen ware without excessive decoration.
This Guinomi is also made according to the theme.
Botamochi placed on the edge is a classic Fujiwara style.
The shape of the bottom makes this Guinomi somewhat unstable.
Tadashi Yoshimoto - Bizen Shuhai
11,000 YENSold out
size : W7.0cm×6.9cm×H5.9cmTadashi Yoshimoto is a disciple of Kei Fujiwara.
He respected Kei Fujiwara and inherited the technique of Bizen ware.
He makes simple and easy-to-understand Bizen ware without excessive decoration.
This Guinomi is also made according to the theme.
Botamochi placed on the edge is a classic Fujiwara style.
Tamon Kaneshige - Bizen Guinomi
26,400 YENSold out
size : W6.4cm×6.3cm×H7.5cmTamon Kaneshige is the eldest son of Makoto Kaneshige.
He makes Bizen ware using Maruyama kiln, designed by Sozan Kanesige.
He makes Bizen ware in the traditional way of the Kanesige family.
He uses no machinery when making clay,And the clay is sorted by hand.
This Guinomi was fired in November 2023.
He burned in a place where Yohen could collect in the back of the Noborigama kiln.
Michiaki Kaneshige - Imbe Guinomi
50,000 YENSold out
size : W6.3cm×6.3cm×5.2cmMichiaki Kaneshige is the eldest son of Toyo Kanesige.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
The work is very simple in style, but it is filled with Michiaki's ceramic aesthetics.
Red, orange, purplish red, brown, etc. are rapidly changing to create a complex and wonderful clay color.
When you pour liquor, the clay color gets wet and becomes a more wonderful color that intoxicates you.
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